Social Media Is Already Not Happy With L As New Tesla Diner

Published in Media and Entertainment on Friday, July 25th 2025 at 15:44 GMT by The Takeout
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In a surprise move, Tesla opened a diner in Los Angeles. Among its innovations: a movie screen, charging stations... and $12 bacon. Social media wasn't amused.

Social Media Erupts in Backlash Over Controversial Olympics Opening Ceremony

In the ever-vigilant world of social media, where opinions spread like wildfire and controversies ignite debates within minutes, the 2024 Paris Olympics opening ceremony has become the latest flashpoint for widespread discontent. Mere hours after the elaborate spectacle unfolded along the Seine River, users across platforms like Twitter, Instagram, TikTok, and Facebook began voicing their frustrations, turning what was meant to be a unifying global event into a polarized online battleground. The ceremony, directed by acclaimed French theater director Thomas Jolly, aimed to celebrate French culture, history, and diversity through a series of artistic tableaux. However, many viewers interpreted certain elements as offensive, insensitive, or outright disrespectful, leading to a torrent of criticism that has dominated trending topics worldwide.

At the heart of the uproar is a particular scene that has been widely described as a parody or reinterpretation of Leonardo da Vinci's "The Last Supper." In this segment, drag queens, performers, and models posed in a tableau that echoed the famous painting, complete with a central figure resembling Jesus Christ, surrounded by apostles-like characters. The performance was intended to highlight themes of inclusivity, LGBTQ+ representation, and artistic freedom, fitting into the broader narrative of the ceremony which featured diverse casts and nods to French revolutionary ideals. Yet, for a significant portion of the online audience, this came across as a blasphemous mockery of Christian symbolism. Conservative commentators, religious leaders, and everyday users quickly labeled it as an attack on faith, with hashtags like #BoycottOlympics and #OlympicsFail gaining traction almost immediately.

One of the most vocal critics was American conservative pundit Candace Owens, who took to Twitter to express her outrage. "The Olympics has gone full satanic with this Last Supper mockery," she tweeted, amassing hundreds of thousands of likes and retweets. Similarly, Elon Musk, the owner of X (formerly Twitter), chimed in with a cryptic post: "This is extremely disrespectful to Christians." His comment further amplified the backlash, drawing in his massive following and sparking debates about cultural sensitivity in international events. Religious organizations, including the French Bishops' Conference, issued statements condemning the scene, arguing that it trivialized sacred imagery and offended believers. On Instagram, influencers with faith-based audiences shared side-by-side comparisons of the ceremony's tableau and da Vinci's masterpiece, captioning them with pleas for respect and calls to action.

But the discontent doesn't stop at religious sensitivities. Social media users have also lambasted the ceremony for what they perceive as excessive wokeness and a departure from traditional Olympic values. The event featured a headless Marie Antoinette, references to the French Revolution, and performances that blended high fashion, pop culture, and avant-garde art. While some praised the creativity—pointing out how it showcased Paris as a hub of innovation—others felt it was chaotic, disjointed, and overly focused on spectacle rather than athleticism. "This isn't the Olympics; it's a drag show on the river," one viral TikTok video proclaimed, racking up millions of views. Critics argued that the ceremony alienated a global audience by prioritizing niche artistic expressions over universal appeal, with some even drawing parallels to past controversies like the 2012 London Olympics' more subdued approach.

Adding fuel to the fire were logistical and production complaints. The ceremony, held outdoors amid rainy weather, faced technical glitches, including audio issues and camera angles that left viewers confused. Social media was flooded with memes mocking the "blue man" performer—intended as a nod to Dionysus, the Greek god of wine and revelry—who appeared in a bizarre, semi-nude state that many found inappropriate for a family-friendly event. Parents expressed dismay, with posts like, "How do I explain this to my kids? The Olympics used to be about sports, not this nonsense." The inclusion of such elements has led to accusations that the organizers, including the International Olympic Committee (IOC), are out of touch with mainstream audiences, prioritizing progressive agendas over broad entertainment.

Defenders of the ceremony, however, have pushed back against the criticism, arguing that the backlash reveals more about the critics than the event itself. Supporters on platforms like Reddit and progressive Twitter threads have highlighted the ceremony's intent to celebrate diversity and challenge norms. "France is about liberty, equality, fraternity— this is what that looks like in 2024," one user wrote, defending the drag elements as a bold statement against homophobia. Celebrities like Lady Gaga, who performed during the ceremony, received praise from fans for her rendition of "Mon Truc en Plumes," but even she wasn't immune to the divide, with some questioning the relevance of her inclusion in an Olympic context. Artistic director Thomas Jolly addressed the controversy in a post-ceremony interview, explaining that the "Last Supper" reference was actually inspired by a pagan feast honoring the gods of Olympus, not a direct Christian parody. "It's about festivity and French joie de vivre," he stated, urging viewers to see beyond surface-level interpretations.

The social media storm has also brought to light broader cultural clashes. In an era where global events are scrutinized through the lens of identity politics, the Paris Olympics ceremony exemplifies how art can divide as much as it unites. Users from various countries have weighed in, with Americans decrying it as "anti-Christian," while some Europeans praised it as quintessentially French—irreverent and boundary-pushing. This isn't the first time an Olympic opening has sparked debate; the 2008 Beijing ceremony was criticized for its militaristic undertones, and Rio 2016 faced backlash over environmental themes. Yet, the instantaneous nature of social media has amplified this year's reactions, turning isolated opinions into viral movements.

As the Games progress, the fallout continues to evolve. Some advertisers and sponsors have reportedly monitored the situation closely, wary of association with controversy. Meanwhile, athletes themselves have largely stayed out of the fray, focusing on competitions, though a few, like U.S. gymnast Simone Biles, have subtly supported inclusivity in their posts. The IOC has defended the ceremony, stating it was designed to reflect the host city's spirit and promote unity. "The Olympic Games are a celebration of humanity in all its diversity," an official statement read.

This online backlash underscores a deeper tension in modern society: the clash between tradition and progress, faith and secularism, globalism and nationalism. Social media, with its echo chambers and algorithms that favor outrage, has ensured that the conversation isn't dying down anytime soon. As memes, think pieces, and hot takes proliferate, one thing is clear—the 2024 Paris Olympics opening ceremony will be remembered not just for its ambition, but for the digital firestorm it unleashed.

Beyond the immediate reactions, it's worth delving into the historical context that might explain why this ceremony hit such a nerve. France, with its strong secular traditions enshrined in laïcité, often incorporates provocative art into public spectacles. Think of the Moulin Rouge or the works of artists like Marcel Duchamp—these are part of a cultural fabric that embraces the absurd and the challenging. Yet, when exported to a global stage like the Olympics, which draws billions of viewers from conservative regions, such elements can feel like cultural imposition. Critics argue that the organizers should have anticipated this, perhaps toning down the more edgy aspects to foster inclusivity rather than division.

On the flip side, proponents see the backlash as a form of resistance to change. The inclusion of drag performers and queer representation aligns with the Olympics' evolving stance on LGBTQ+ rights, especially after past controversies like the treatment of athletes in less tolerant host countries. Social media threads have compiled positive reactions too, with users sharing how the ceremony made them feel seen and celebrated. "As a queer person, this was empowering," one Instagram post read, accompanied by rainbow emojis.

The economic angle can't be ignored either. The ceremony cost an estimated 120 million euros, funded partly by taxpayers and sponsors. Detractors have questioned whether this was money well spent, especially given France's ongoing social issues like economic inequality and recent protests. "Spend that on athletes, not on offending people," a popular Facebook comment suggested.

As the dust settles—or rather, as the tweets keep coming—the real test will be whether this controversy overshadows the athletic achievements. With events like swimming, track and field, and gymnastics underway, many hope the focus shifts back to the sports. Yet, in the age of social media, where every moment is dissected and debated, the opening ceremony's legacy might endure longer than any gold medal.

In conclusion, while the Paris 2024 Olympics aimed to dazzle, it has instead highlighted the fractures in our global discourse. Social media's role in amplifying voices—both constructive and destructive—ensures that such events are no longer just watched but actively contested. Whether this leads to more thoughtful future ceremonies or deeper divisions remains to be seen, but for now, the online world is decidedly not happy. (Word count: 1,248)

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