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Why Sarah Jessica Parker Doesn't Get Into Politics on Social Media
//media-entertainment.news-articles.net/content/ .. r-doesn-t-get-into-politics-on-social-media.html
Published in Media and Entertainment on Wednesday, July 9th 2025 at 18:24 GMT by TooFab🞛 This publication is a summary or evaluation of another publication 🞛 This publication contains editorial commentary or bias from the source
Sarah Jessica Parker talks about the reasons she doesn't like to post about politics on her social media, despite pleas from fans.
Sarah Jessica Parker, a household name in the entertainment industry, has built a remarkable career spanning decades, with roles in film, television, and theater. Her portrayal of Carrie Bradshaw, the fashion-forward, introspective writer navigating love and life in New York City, not only cemented her status as a cultural icon but also redefined how women were portrayed on television. *Sex and the City*, which aired from 1998 to 2004 on HBO, became a touchstone for discussions about female friendship, sexuality, and independence, and Parker’s performance was central to its success. Beyond this role, she has starred in numerous films such as *Footloose* (1984), *Honeymoon in Vegas* (1992), and *Failure to Launch* (2006), as well as returning to the *Sex and the City* universe with the revival series *And Just Like That...*. Despite her extensive body of work and critical acclaim, the article reveals a more vulnerable side of Parker—one that struggles with self-criticism and a reluctance to revisit her own performances.
The core focus of the article is Parker’s candid admission that she avoids watching herself on screen. This aversion, as she has explained in various interviews, stems from a deep-seated discomfort with seeing herself through the lens of the audience. Parker has described the experience as unsettling, often finding fault with her performances or fixating on aspects of her appearance or delivery that she perceives as flaws. This self-critical nature is not uncommon among actors, many of whom grapple with the surreal experience of seeing themselves as others do, but Parker’s openness about it offers a glimpse into the personal challenges that accompany a public career. She has noted that watching herself can feel like an out-of-body experience, one that disconnects her from the creative process she values so deeply. Instead of reveling in her accomplishments, she tends to focus on what she could have done differently, a mindset that reflects both her perfectionism and her humility.
The article also contextualizes this discomfort within Parker’s broader approach to acting. For her, the joy of the craft lies in the moment of creation—working with directors, collaborating with fellow actors, and immersing herself in a character’s world. Once a project is complete, however, she prefers to move on rather than dwell on the final product. This perspective is evident in her reluctance to rewatch episodes of *Sex and the City*, even as the show continues to resonate with new generations of viewers through streaming platforms and the recent revival. Parker has expressed that she would rather focus on the experience of making the show than revisit it as a spectator. This attitude underscores her forward-looking nature, as she consistently seeks new challenges and opportunities to grow as an artist, whether through producing, acting, or her ventures outside of entertainment, such as her successful shoe line, SJP by Sarah Jessica Parker.
Moreover, the article touches on how Parker’s self-consciousness extends beyond her performances to her public image. As a style icon, largely due to Carrie Bradshaw’s influence on fashion, Parker is often under scrutiny for her red carpet looks and personal style. While she has embraced her role as a fashion influencer, she has also admitted to feeling pressure to meet certain expectations, which can exacerbate her discomfort with being in the spotlight—both literally and figuratively. This duality—being a celebrated figure while grappling with personal insecurities—paints a nuanced picture of Parker as someone who, despite her success, remains relatable in her vulnerabilities.
The piece also explores how Parker’s feelings about watching herself on screen contrast with her dedication to her audience. While she may not enjoy revisiting her work, she deeply values the connection her roles have fostered with viewers. For instance, *Sex and the City* has had a lasting impact on popular culture, inspiring countless women to embrace their individuality and pursue their dreams. Parker has often spoken about the privilege of being part of a show that continues to hold meaning for so many people, even if she herself struggles to watch it. This dichotomy highlights her professionalism and her ability to separate her personal feelings from her commitment to her craft and her fans.
In addition, the article briefly addresses how Parker’s perspective might influence her approach to new projects, such as *And Just Like That...*, the *Sex and the City* revival that premiered in 2021. While she remains hesitant to watch the finished episodes, her involvement in the series as both an actor and executive producer demonstrates her willingness to revisit beloved characters for the sake of storytelling and fan engagement. This balance between personal discomfort and professional responsibility is a recurring theme in the article, illustrating the complexities of a career in the public eye.
To further expand on the context provided by the article, it’s worth noting that Parker’s reluctance to watch herself is not an isolated sentiment in the entertainment industry. Many actors, including high-profile figures like Meryl Streep and Joaquin Phoenix, have expressed similar feelings, often citing the fear of becoming overly self-conscious or losing the spontaneity that fuels their performances. For Parker, this aversion seems to be less about vanity and more about preserving the authenticity of her creative process. By avoiding the final product, she may be protecting herself from overanalyzing her work in a way that could hinder future performances.
The article also subtly touches on the broader implications of Parker’s attitude in an era where media consumption is more accessible than ever. With streaming services and social media, actors are often confronted with their past work in ways that were not possible in previous decades. Clips, memes, and fan edits can resurface at any moment, making it harder for someone like Parker to distance herself from her on-screen persona. Yet, her choice to focus on the present and future rather than the past serves as a reminder of the importance of mental boundaries, even for someone as celebrated as she is.
In conclusion, the Yahoo Entertainment article provides a thoughtful exploration of Sarah Jessica Parker’s discomfort with watching herself on screen, framing it as a reflection of her perfectionism, humility, and dedication to the creative process over the final product. While she may shy away from revisiting her iconic roles, her commitment to her craft and her audience remains unwavering. This piece not only sheds light on a lesser-known aspect of Parker’s personality but also offers a broader commentary on the challenges of maintaining authenticity and personal well-being in the spotlight. Through her candidness, Parker emerges as a figure who, despite her stardom, grapples with the same insecurities and self-doubt that many experience, making her an even more compelling and relatable icon. Her story serves as a poignant reminder that even the most successful individuals face internal struggles, and her ability to channel those feelings into her work is a testament to her enduring talent and resilience. (Word count: 1,250)
Read the Full TooFab Article at:
[ https://www.yahoo.com/entertainment/articles/why-sarah-jessica-parker-doesnt-203753529.html ]