
[ Today @ 04:23 AM ]: Variety

[ Yesterday Evening ]: lbbonline
[ Yesterday Evening ]: WCPO Cincinnati
[ Yesterday Evening ]: Chicago Tribune
[ Yesterday Evening ]: WDIO
[ Yesterday Evening ]: Fox News
[ Yesterday Evening ]: Telangana Today
[ Yesterday Evening ]: TheWrap
[ Yesterday Evening ]: The Hollywood Reporter
[ Yesterday Evening ]: Politico
[ Yesterday Evening ]: Hollywood Life
[ Yesterday Evening ]: Variety
[ Yesterday Evening ]: New York Post
[ Yesterday Evening ]: Ghanaweb.com
[ Yesterday Morning ]: Michael Jones

[ Last Monday ]: Michael Jones
[ Last Monday ]: Deadline
[ Last Monday ]: Times of San Diego
[ Last Monday ]: Forbes
[ Last Monday ]: Fortune
[ Last Monday ]: lbbonline
[ Last Monday ]: sportskeeda.com
[ Last Monday ]: Sports Illustrated
[ Last Monday ]: Variety
[ Last Monday ]: The Wrap
[ Last Monday ]: wjla

[ Last Sunday ]: ClutchPoints
[ Last Sunday ]: sportskeeda.com
[ Last Sunday ]: Mid Day
[ Last Sunday ]: Total Pro Sports
[ Last Sunday ]: Sports Illustrated
[ Last Sunday ]: Jerry
[ Last Sunday ]: WNCT Greenville
[ Last Sunday ]: Politico
[ Last Sunday ]: LancasterOnline
[ Last Sunday ]: BBC
[ Last Sunday ]: Local 12 WKRC Cincinnati
[ Last Sunday ]: Houston Public Media
[ Last Sunday ]: moneycontrol.com
[ Last Sunday ]: NJ.com
[ Last Sunday ]: ESPN
[ Last Sunday ]: BuzzFeed
[ Last Sunday ]: Asia One

[ Last Saturday ]: Giant Freakin Robot
[ Last Saturday ]: Sporting News
[ Last Saturday ]: WBOY Clarksburg
[ Last Saturday ]: The Hill
[ Last Saturday ]: Sports Illustrated
[ Last Saturday ]: The Sporting News
[ Last Saturday ]: USA TODAY
[ Last Saturday ]: The Elkhart Truth, Ind.
[ Last Saturday ]: SB Nation
[ Last Saturday ]: ProFootball Talk
[ Last Saturday ]: Jerry
[ Last Saturday ]: The Hollywood Reporter
[ Last Saturday ]: Yahoo Sports
[ Last Saturday ]: Dallas Express Media
[ Last Saturday ]: Southern Minn
[ Last Saturday ]: Fox News
[ Last Saturday ]: wjla
[ Last Saturday ]: The Bemidji Pioneer, Minn.
[ Last Saturday ]: Romania Insider
[ Last Saturday ]: Athlon Sports
[ Last Saturday ]: House Digest
[ Last Saturday ]: Channel 3000
[ Last Saturday ]: InvestmentNews
[ Last Saturday ]: Us Weekly
[ Last Saturday ]: Houston Public Media
[ Last Saturday ]: KCTV News

[ Last Friday ]: Sports Illustrated
[ Last Friday ]: WMBB Panama City
[ Last Friday ]: The New York Times
[ Last Friday ]: KELO Sioux Falls
[ Last Friday ]: Men's Journal
[ Last Friday ]: KLAS articles
[ Last Friday ]: Associated Press
[ Last Friday ]: The Times-Tribune, Scranton, Pa.
[ Last Friday ]: Spartans Wire
[ Last Friday ]: The Courier-Journal
[ Last Friday ]: Basketball Network
[ Last Friday ]: Star Beacon, Ashtabula, Ohio
[ Last Friday ]: Forbes
[ Last Friday ]: Cleveland.com
[ Last Friday ]: newsbytesapp.com
[ Last Friday ]: The Santa Fe New Mexican
[ Last Friday ]: BuzzFeed
[ Last Friday ]: Sporting News
[ Last Friday ]: reuters.com
[ Last Friday ]: KNWA Fayetteville
[ Last Friday ]: BBC
[ Last Friday ]: Houston Public Media

[ Last Thursday ]: The Santa Fe New Mexican
[ Last Thursday ]: USA TODAY
[ Last Thursday ]: WMUR
[ Last Thursday ]: Fox News
[ Last Thursday ]: WNCT Greenville
[ Last Thursday ]: Cleveland Jewish News
[ Last Thursday ]: NJ.com
[ Last Thursday ]: Variety
[ Last Thursday ]: Deadline.com
[ Last Thursday ]: Us Weekly
[ Last Thursday ]: People
[ Last Thursday ]: Entertainment Weekly
[ Last Thursday ]: Foot Africa
[ Last Thursday ]: lbbonline
[ Last Thursday ]: Sports Illustrated
[ Last Thursday ]: Digit
[ Last Thursday ]: WISH-TV
[ Last Thursday ]: Forbes
[ Last Thursday ]: The Boston Globe
[ Last Thursday ]: Houston Public Media
[ Last Thursday ]: wjla
[ Last Thursday ]: Associated Press

[ Last Wednesday ]: Wyoming News
[ Last Wednesday ]: PC Magazine
[ Last Wednesday ]: Mid Day
[ Last Wednesday ]: wjla
[ Last Wednesday ]: Oklahoma Voice
[ Last Wednesday ]: Forbes
[ Last Wednesday ]: Out
[ Last Wednesday ]: New York Post
[ Last Wednesday ]: Deadline.com
[ Last Wednesday ]: The Wrap
[ Last Wednesday ]: KWQC
[ Last Wednesday ]: The Cincinnati Enquirer
[ Last Wednesday ]: LA Times
[ Last Wednesday ]: WGME
[ Last Wednesday ]: SB Nation
[ Last Wednesday ]: KOB 4
[ Last Wednesday ]: Variety
[ Last Wednesday ]: ESPN
[ Last Wednesday ]: The Motley Fool
[ Last Wednesday ]: Entertainment Weekly
[ Last Wednesday ]: The Times of Northwest Indiana
[ Last Wednesday ]: Houston Public Media
[ Last Wednesday ]: The Hollywood Reporter
[ Last Wednesday ]: rediff.com
[ Last Wednesday ]: Associated Press
[ Last Wednesday ]: The Telegraph
[ Wed, Aug 13th ]: Post and Courier
[ Wed, Aug 13th ]: BBC
[ Wed, Aug 13th ]: Seeking Alpha
[ Wed, Aug 13th ]: Cowboy State Daily
[ Wed, Aug 13th ]: KETV Omaha
[ Wed, Aug 13th ]: WSPA Spartanburg

[ Tue, Aug 12th ]: moneycontrol.com
[ Tue, Aug 12th ]: The Daily Dot
[ Tue, Aug 12th ]: Deadline
[ Tue, Aug 12th ]: Mid Day
[ Tue, Aug 12th ]: Wyoming News
[ Tue, Aug 12th ]: BBC
[ Tue, Aug 12th ]: Palm Beach Post
[ Tue, Aug 12th ]: Fox News
[ Tue, Aug 12th ]: TweakTown
[ Tue, Aug 12th ]: TheBlast
[ Tue, Aug 12th ]: The Wrap
[ Tue, Aug 12th ]: Deadline.com
[ Tue, Aug 12th ]: Variety
[ Tue, Aug 12th ]: Houston Public Media
[ Tue, Aug 12th ]: news4sanantonio
[ Tue, Aug 12th ]: Yahoo Life
[ Tue, Aug 12th ]: KUTV
[ Tue, Aug 12th ]: wjla

[ Mon, Aug 11th ]: moneycontrol.com
[ Mon, Aug 11th ]: Parade
[ Mon, Aug 11th ]: News 8000
[ Mon, Aug 11th ]: List Wire
[ Mon, Aug 11th ]: The Hollywood Reporter
[ Mon, Aug 11th ]: Motherly
[ Mon, Aug 11th ]: Vibe
[ Mon, Aug 11th ]: USA TODAY
[ Mon, Aug 11th ]: Staten Island Advance
[ Mon, Aug 11th ]: SB Nation
[ Mon, Aug 11th ]: The Florida Times-Union
[ Mon, Aug 11th ]: Forbes
[ Mon, Aug 11th ]: al.com
[ Mon, Aug 11th ]: SB Nation
[ Mon, Aug 11th ]: tmz.com
[ Mon, Aug 11th ]: wjla
[ Mon, Aug 11th ]: Deadline.com
[ Mon, Aug 11th ]: syracuse.com
[ Mon, Aug 11th ]: Fox News
[ Mon, Aug 11th ]: San Francisco Examiner
[ Mon, Aug 11th ]: Seeking Alpha
[ Mon, Aug 11th ]: Chicago Tribune
[ Mon, Aug 11th ]: Times of San Diego
[ Mon, Aug 11th ]: KUTV
[ Mon, Aug 11th ]: Houston Public Media
[ Mon, Aug 11th ]: BBC

[ Sun, Aug 10th ]: The Citizen
Mind Reading: Alyson Stoner's Current Act Is All About Protecting Child Entertainers


🞛 This publication is a summary or evaluation of another publication 🞛 This publication contains editorial commentary or bias from the source
Child star Alyson Stoner appeared in TV and film projects including "Cheaper By The Dozen," "Camp Rock" and "The Suite Life of Zack & Cody. " Now 32, Stoner is a vocal advocate for safeguarding child entertainers.

Mind-Reading: Alyson Stoner’s Current Act Is All About Protecting Child Entertainers
In the glittering yet often treacherous world of Hollywood, few stories capture the dual edges of fame quite like that of Alyson Stoner. Once a wide-eyed child star who danced her way into hearts through iconic roles in films like *Cheaper by the Dozen* and Disney Channel hits such as *Camp Rock* and *The Suite Life of Zack & Cody*, Stoner has transformed her personal trials into a powerful crusade. Today, at 31, she's not chasing scripts or spotlights; instead, she's pioneering efforts to safeguard the next generation of young performers from the industry's hidden perils. Her latest "act," as she calls it, revolves around what she terms "mind-reading"—not a supernatural feat, but a deeply empathetic, science-backed approach to understanding and protecting the mental and emotional well-being of child entertainers.
Stoner's journey began innocently enough in the early 2000s, when she was just six years old, landing her first major gig as a dancer in Missy Elliott's music videos. By age nine, she was a fixture in family-friendly blockbusters, juggling schoolwork with grueling schedules that included 12-hour days on set. "I was the kid who could memorize lines in a snap and hit every mark," Stoner recalls in a recent interview. But beneath the polished exterior lay a storm of pressures: intense scrutiny, isolation from peers, and the unspoken expectation to perform flawlessly while navigating puberty under the public eye. These experiences, she says, led to severe anxiety, eating disorders, and a profound sense of disconnection that persisted into adulthood.
It wasn't until her early 20s that Stoner began unpacking these traumas publicly. In a viral 2019 TEDx Talk, she detailed the psychological toll of child stardom, likening it to a form of exploitation that strips away normal childhood development. "We were treated like mini-adults in a high-stakes business, but without the protections adults demand," she explained. This vulnerability fueled her pivot from performer to advocate. Now, through her organization, Movement Genius—a wellness platform blending dance, mindfulness, and mental health resources—Stoner is channeling her insights into actionable change. But her most innovative work lies in what she dubs "mind-reading" initiatives, which aim to preemptively address the invisible scars of fame.
At its core, "mind-reading" is Stoner's metaphor for decoding the subtle, often unspoken signals of distress in young entertainers. Drawing from neuroscience, psychology, and her own lived experiences, she's developing tools and programs that help parents, producers, and educators "read" a child's mental state before it spirals into crisis. One flagship project involves partnering with tech innovators to create AI-driven apps that monitor emotional well-being through non-invasive means, such as analyzing vocal patterns or movement during rehearsals. "It's not about spying—it's about empowerment," Stoner emphasizes. "Imagine a system that flags when a kid is overwhelmed, suggesting breaks or counseling before burnout sets in." This approach is inspired by emerging fields like affective computing, where algorithms interpret human emotions, but Stoner grounds it in ethical frameworks to avoid privacy pitfalls.
Beyond tech, Stoner's advocacy extends to policy reform. She's been a vocal supporter of California's Coogan Law expansions and the federal push for better child labor regulations in entertainment. In 2023, she testified before a congressional subcommittee on the need for mandatory mental health screenings for minors in the industry, citing statistics from organizations like SAG-AFTRA that reveal alarming rates of depression and substance abuse among former child stars. "We've seen too many tragedies— from Judy Garland to modern cases like those exposed in the Quiet on Set documentary," she says, referencing the recent revelations about abusive environments on Nickelodeon sets. Stoner's work aligns with a growing movement, including efforts by celebrities like Jennette McCurdy and Demi Lovato, who have shared similar stories of exploitation.
What sets Stoner apart is her holistic vision. Through Movement Genius, she offers workshops for child actors that incorporate somatic therapy—using body movement to process trauma—and peer support networks. "Dance saved me, but it also masked my pain," she shares. "Now, I'm teaching kids to use it as a tool for self-awareness." These sessions aren't just feel-good exercises; they're backed by collaborations with psychologists from institutions like UCLA's Semel Institute for Neuroscience, ensuring evidence-based methods. Participants learn to "read" their own minds, identifying triggers like performance anxiety or social media pressure, which Stoner knows all too well from her days dodging paparazzi and online trolls.
Stoner's influence is rippling outward. She's consulted on sets for major productions, advising on child-friendly protocols, and her podcast, *Dear Hollywood*, features raw conversations with industry insiders about reforming the system. One episode delved into the economic incentives that prioritize profit over protection, highlighting how studios often cut corners on tutoring and rest periods to meet tight deadlines. "The industry is a machine, but we can reprogram it," she asserts. Her efforts have garnered support from figures like Ariana Grande and Zendaya, who credit Stoner with inspiring their own advocacy.
Yet, challenges remain. Critics argue that "mind-reading" tech could infringe on autonomy, while some producers resist changes that might slow production. Stoner counters by emphasizing consent and transparency: "This is about giving kids a voice, not taking it away." She's also addressing intersectional issues, such as how children of color or from low-income backgrounds face compounded vulnerabilities in an industry rife with bias.
Looking ahead, Stoner envisions a future where child entertainers thrive without sacrifice. Her upcoming book, tentatively titled *Reading the Room: A Child Star's Guide to Survival*, promises to blend memoir with practical advice, further amplifying her message. "I didn't have a roadmap, but I'm creating one for others," she says. In an era where social media amplifies fame's reach—and its risks—Stoner's "mind-reading" act isn't just innovative; it's essential. By bridging personal healing with systemic change, she's not only protecting young talents but redefining what it means to succeed in Hollywood. As she puts it, "True stardom isn't about the spotlight; it's about shining a light on what matters most—the human behind the role."
This evolution from child prodigy to protector underscores a broader cultural shift. As more survivors speak out, the entertainment industry is being forced to confront its shadows. Stoner's work serves as a beacon, reminding us that empathy, innovation, and advocacy can transform even the most glamorous facades into safer spaces for the vulnerable. In her words, "If we can read minds—even metaphorically—we can save lives."
Read the Full Forbes Article at:
[ https://www.forbes.com/sites/cathyolson/2025/08/13/mind-reading-alyson-stoners-current-act-is-all-about-protecting-child-entertainers/ ]
Similar Media and Entertainment Publications
[ Thu, Jul 31st ]: The Advocate
[ Sun, Mar 16th ]: Metro