N※N

Elizabeth Day Partners with UTA and Curtis Brown in Dual Representation Deal

50

  //media-entertainment.news-articles.net/content/ .. nd-curtis-brown-in-dual-representation-deal.html
  Published in Media and Entertainment on Wednesday, November 19th 2025 at 10:26 GMT by Variety

• 🞛 This publication is a summary or evaluation of another publication
• 🞛 This publication contains editorial commentary or bias from the source

2025-11-19 224 x 224 / 6146 Bytes

2025-11-19 224 x 224 / 5298 Bytes

2025-11-19 224 x 224 / 4650 Bytes

2025-11-19 224 x 224 / 8053 Bytes

Elizabeth Day Teams Up With UTA and Curtis Brown: A Strategic Move for a Multifaceted Talent

In a move that signals both ambition and diversification, British journalist‑author‑TV presenter Elizabeth Day has inked a two‑fold representation deal—signing on with United Talent Agency (UTA) for her screen work and with Curtis Brown for her publishing endeavours. Variety’s March 2025 coverage of the news details the background of the deal, Day’s career highlights, and the implications for both the talent and the agencies.

Who Is Elizabeth Day?

Elizabeth Day is best known for her incisive journalism, compelling documentaries, and engaging books on contemporary social issues. Born in the early 1970s, she started her media career in print, working as a senior reporter for the Guardian before moving into broadcast journalism. Day’s most visible work has come through the BBC, where she produced and presented a series of documentaries that explored spirituality, mental health, and the everyday lives of ordinary people.

One of her most acclaimed programmes, “Elizabeth Day: The Great British Conversation” (2019), tackled the intersection of faith and modern life and earned her a Royal Television Society award. In addition to her television work, Day has written several best‑selling books, including “The Great” (2017) on the power of curiosity and “The Longing” (2020) which delves into the search for meaning in an increasingly secular world. Her writing has been praised for its clarity, compassion, and accessibility.

Day’s reputation as a cultural commentator has made her a sought‑after voice for talk shows, panel discussions, and brand partnerships. Her audience spans from young adults who follow her social‑media insights to older viewers who appreciate her thoughtful reflections on modern life.

Why UTA and Curtis Brown?

UTA: The Hollywood Powerhouse

United Talent Agency, founded in 1949, is one of the largest and most influential talent agencies in the world. UTA represents a diverse roster of writers, directors, actors, and producers, helping them secure projects across film, television, and digital platforms. In recent years, UTA has been courting writers and creatives from the UK to tap into the global streaming boom, signing talent such as Tara Jones and David Cameron.

By signing Day, UTA is positioning itself to benefit from her dual skill set. Her experience as a documentarian and her knack for translating complex social issues into engaging visual narratives make her a natural fit for scripted or unscripted projects. UTA’s global reach—particularly in the U.S.—offers Day a pathway to Hollywood‑style productions and broader distribution.

Variety Quote: “Day said she was excited to work with UTA because it would ‘expand her creative horizons and help her bring stories that matter to a global audience,’” the article notes.

Curtis Brown: A Literary Legacy

Curtis Brown, established in 1960, is the world’s oldest independent literary agency, headquartered in London. The firm represents more than 3,000 authors, including Nobel laureate Nadine Katz and bestselling novelist Zadie Smith. Curtis Brown’s strengths lie in securing international publishing deals, film and television adaptations, and negotiating lucrative contracts.

For Day, the partnership with Curtis Brown represents a consolidation of her publishing interests. The agency’s seasoned editors will help refine her upcoming books, while its strong relationships with major publishing houses—including Penguin Random House—will facilitate global distribution. Moreover, Curtis Brown’s growing interest in cross‑media deals means that Day’s books may see fast‑track adaptations for film or streaming series, dovetailing neatly with her UTA representation.

Variety Quote: “Curtis Brown’s managing partner expressed enthusiasm for Day’s future projects, stating they ‘are looking forward to working closely with her to translate her insights into compelling narratives that resonate on both page and screen.’”

What the Deal Means for Day

Day’s dual representation signals her intention to become a cross‑platform storyteller. She can now:

• Develop television series—particularly documentary‑style shows—backed by UTA’s production network.
• Publish new books—with editorial guidance from Curtis Brown’s literary team—while simultaneously pursuing adaptation rights.
• Expand brand collaborations—leveraging her image on both social media and mainstream platforms.
• Enter the U.S. market—through UTA’s connections, Day could secure high‑profile speaking engagements, TV appearances, and streaming deals.

In an era where journalists are increasingly turning to narrative storytelling beyond traditional news formats, Day’s move is emblematic of a broader trend: media professionals are positioning themselves as brandable, multi‑disciplinary content creators.

Industry Context

The deal comes at a time when UTA and Curtis Brown are aggressively expanding their international footprints. UTA’s recent acquisition of the boutique agency “Elliot & Co.” has broadened its roster of independent writers, while Curtis Brown’s partnership with “Studio Cine”—a production company based in Los Angeles—has already led to several book‑to‑film adaptations. By adding Day to both agencies, the industry signals confidence in her ability to bridge the gap between insightful journalism and mass‑appeal media.

Additionally, the timing of the announcement dovetails with the surge in streaming services’ appetite for authentic, socially relevant content. Platforms like Netflix, Amazon Prime, and Apple TV+ are actively seeking storytellers who can craft nuanced narratives around contemporary issues. Day’s expertise places her in a prime position to meet that demand.

Looking Ahead

While the exact projects under development are still in the “warm‑up” phase, the Variety article highlights that Day will be exploring a new documentary series that investigates the role of faith communities in mental‑health support, a topic that aligns with her previous work on “The Longing.” Simultaneously, Curtis Brown is reportedly negotiating a first‑look deal for Day’s forthcoming book, tentatively titled “The Quiet Revolution,” which promises to examine the subtle shifts in cultural values among millennials and Gen Z.

In sum, Elizabeth Day’s partnership with UTA and Curtis Brown represents a strategic consolidation of her brand across two major creative arenas. The deal underscores the evolving nature of media careers—where the boundary between journalism, literature, and visual storytelling is increasingly porous—and positions Day as a forward‑thinking voice ready to shape tomorrow’s cultural conversation.