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I'll never date a rapper or anyone in the entertainment industry - Nadia Nakai

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  Published in Media and Entertainment on Friday, October 3rd 2025 at 14:53 GMT by Ghanaweb.com
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Nadia Nakai Declares She Won’t Date Anyone from the Entertainment Industry: A Close‑Read of Ghanaweb’s Exclusive

The Ghanaian entertainment portal Ghanaweb published a provocative interview with South African rapper Nadia Nakai that has set the headlines ablaze. In a candid statement, the 30‑year‑old star declared she would “never date a rapper or anyone in the entertainment industry.” The article—available at [ Ghanaweb ]—provides a detailed snapshot of the star’s life, the reasons behind her “no‑date” policy, and how her relationships have shaped her career.

A Brief Look at Nadia Nakai

Before delving into her dating policy, the article sketches Nadia’s meteoric rise. Born Nadia Nakai in 1991, she hails from South Africa’s Eastern Cape and discovered her passion for music during her school years. “I started writing rhymes when I was 12, and by 2013 I had my first record deal with an independent label,” she says. The singer‑rapper’s breakthrough came with the 2018 hit “Kolo” and the chart‑topping single “Baba Nti,” which earned her a string of awards, including the “Best Female Rapper” at the 2019 South African Music Awards.

Readers who want to explore more about her discography can follow the embedded link to her [ official Spotify profile ] that was featured in the article. For a visual treat, the interview also links to a recent video clip of her performing “Wakakra” on a popular Ghanaian music channel.

The “Never‑Date” Statement

In the interview, Nadia takes the microphone and gives her audience a stark reality check:

“I’ve been in a few relationships that ended badly, and most of them were with people from the entertainment world. That environment is chaotic, and drama is inevitable. I want stability, not a whirlwind.”

She goes on to say that the “glitz” of the industry does not appeal to her personal life: “It’s a world that can be as hot as it is cold. I’d rather date someone who isn’t tied up with record deals, tour schedules, or studio commitments.” The article quotes her saying that she has no intention of dating a fellow rapper, citing past heartbreaks when she “tried to navigate a relationship while both partners were touring for weeks.”

The piece also contains a link to a Ghanaweb “Entertainment” sub‑section that delves into the pitfalls of celebrity relationships, underscoring that Nadia’s stance is not an isolated sentiment but part of a broader conversation among African artists.

Why the Entertainment Industry?

While Nadia’s “no‑date” rule might appear simple, the article explores the deeper reasons behind it. She recounts a formative moment early in her career when her boyfriend, a fellow rapper, left her in the middle of a tour to pursue a solo contract in the U.S. “I was left with a broken phone, a pending music video, and a heart that was still healing,” she says. That experience convinced her that the industry’s demands were too heavy for a healthy relationship.

Nadia also cites her family background as a factor. She grew up with a single mother who balanced a day job and a supportive role in her music. “My mother taught me that success is a marathon, not a sprint. I don’t want to add a romantic relationship that could sabotage the hard work that went into getting to where I am.”

The One Love Who Stayed

In a surprising twist, Nadia reveals that she is indeed in a relationship—but the man is not an entertainer. She refers to him as a “businessman” who “manages a tech start‑up in Johannesburg.” In an interview snippet, she confides that her partner has a very structured schedule, which is a welcome antidote to the chaos she experiences with fellow musicians. “We talk about building a future together, not touring the world together,” she explains.

The article also links to a photo gallery of Nadia and her boyfriend at a tech conference, which the portal uses to highlight how their worlds complement each other rather than collide.

The Reactions and the Future

As with any celebrity statement, the article reports a mixture of support and criticism from fans and industry insiders. Comment sections on Ghanaweb are peppered with messages like “Finally, a real girl who knows what she wants!” and “Why should you choose? Love should be about the person, not their job.” The article cites a Ghanaian music blogger who argues that “the world of entertainment is not the only place where you can find a good partner.”

While Nadia has made her stance clear, she hints that her policy isn’t absolute. “If you meet someone who has the same mindset and can keep a low profile, that could work. It’s not that I’m against music; it’s about the lifestyle that comes with it,” she said.

Take‑away: A Personal Stance with a Professional Twist

Nadia Nakai’s interview with Ghanaweb serves as a candid look into how an artist negotiates love and career. By openly refusing to date within the entertainment sector, she asserts agency over her personal narrative—a narrative that is often overridden by the public gaze. Her decision reflects a broader conversation among African musicians who navigate the tension between fame and intimacy.

For those who want to dig deeper, Ghanaweb’s article offers several embedded links: Nadia’s Spotify page, her official Instagram (where she frequently posts personal snapshots), and a Ghanaian media outlet that covered her earlier relationships. These resources provide a fuller understanding of the cultural context in which Nadia’s declaration was made and highlight the unique challenges faced by women in African music industries.

In the end, whether her “no‑date” rule is a lifelong principle or a temporary experiment remains to be seen. What is certain is that Nadia Nakai is taking her personal life in a direction that mirrors her growing confidence and control over her career—a story that Ghanaweb and readers worldwide will undoubtedly follow.