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Stonebwoy Discusses Loyalty & Friendships in Ghana's Entertainment Industry

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  Published in Media and Entertainment on Saturday, December 27th 2025 at 19:29 GMT by Yen.com.gh

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Stonebwoy Opens Up About Loyalty and True Friendships in Ghana's Entertainment Industry

Ghanaian dancehall artist, Stonebwoy (born Livingstone Etse Satekla), recently addressed the complexities of maintaining genuine friendships within the often-cutthroat Ghanaian entertainment industry. In a candid interview with Andy Dosty on Daybreak Hitz on Hitz FM, he spoke about the challenges of navigating relationships with fellow artists and industry players, highlighting the importance of recognizing true loyalty amidst the pressures for success and competition. The core message revolves around Stonebwoy’s perspective that authentic connections are rare but essential for longevity and mental well-being in a demanding career.

The interview was sparked by a discussion about his recent collaboration with American rapper Sean Paul on the track "Calling." While celebrating this significant achievement, Stonebwoy used the opportunity to reflect on the broader landscape of relationships within Ghana’s music scene. He expressed disappointment at how frequently friendships appear to dissolve or shift dramatically once professional success is achieved. This sentiment reflects a growing awareness among Ghanaian celebrities about the transactional nature that can infiltrate personal and professional connections.

Stonebwoy emphasized that he has learned to differentiate between people who genuinely care for him versus those who are only interested in benefiting from his fame and influence. He acknowledged that the entertainment industry, by its very nature, fosters an environment of competition where artists strive to outperform one another. However, this ambition shouldn't necessitate abandoning principles of loyalty and respect.

He specifically alluded to experiences where he’s witnessed friends or colleagues seemingly distance themselves after he achieved a certain level of success. This isn't necessarily about malice, Stonebwoy clarified; it’s often driven by envy, the desire for validation through association with a successful individual, or simply a misunderstanding of what true friendship entails. He stated that some people initially present themselves as supportive allies but later reveal their intentions when opportunities arise and perceived advantages can be gained.

The artist recounted how he's had to re-evaluate relationships based on these observations, choosing to prioritize those who have consistently demonstrated genuine support and integrity regardless of his professional standing. This approach has led him to cultivate a smaller circle of trusted confidantes – individuals whose loyalty isn’t contingent upon his success. He stressed that this wasn’t about shutting people out entirely but rather being more discerning in whom he allows into his inner circle.

Stonebwoy's comments resonated with many Ghanaians, sparking conversations on social media and across various entertainment platforms. The issue of authenticity within the industry is a recurring theme, often discussed behind closed doors but rarely addressed so openly by prominent figures. The article references similar sentiments expressed by other Ghanaian celebrities in the past, suggesting that Stonebwoy’s experience isn't an isolated incident.

Further context can be gleaned from related articles on Yen.com.gh and elsewhere concerning the dynamics of the Ghanaian music industry. For example, a linked article about Shatta Wale (another prominent figure) discusses the competitive rivalry between the two artists and how it has impacted their public image and professional relationships. While Stonebwoy generally maintains a more measured tone than Shatta Wale, both have faced accusations of manufactured feuds and strategic alliances designed to boost their careers. The constant pressure to maintain relevance in a rapidly evolving music market contributes significantly to these complex dynamics.

Stonebwoy's perspective also touches upon the broader societal issue of "small boy syndrome" – a term often used in Ghana to describe individuals who exhibit arrogance and entitlement after achieving success, sometimes leading to strained relationships with those who supported them earlier in their careers. While Stonebwoy didn’t explicitly use this terminology, his observations about shifting loyalties align with the underlying concept.

Ultimately, Stonebwoy's interview serves as a cautionary tale for aspiring artists and a reminder that genuine human connection is invaluable, particularly within an industry characterized by intense competition and fleeting alliances. His message emphasizes the importance of surrounding oneself with people who celebrate success without expecting personal gain and who offer unwavering support regardless of professional status. He believes that true friends are those who remain steadfast through both triumphs and challenges, providing a foundation for emotional stability and continued growth in a career as demanding as his. The artist's willingness to share this vulnerability demonstrates a desire to promote a more authentic and supportive environment within Ghana’s entertainment industry – one where loyalty and genuine friendship can thrive alongside professional ambition.

I hope this article accurately summarizes the key points of the Yen.com.gh piece while providing additional context and analysis!