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This was the week that comedy pushed back

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  South Park skewered President Trump. Stephen Colbert isn't holding back. This week, comedians on Paramount-owned shows aired their grievances against both their parent company and Trump.


Satire in the Age of Trump: How Colbert, South Park, and Jon Stewart Navigate Paramount's Corporate Waters


In the ever-evolving landscape of American political satire, few figures and shows have loomed as large as Stephen Colbert, the creators of *South Park*, and Jon Stewart. As the 2024 presidential election fades into memory and Donald Trump's influence continues to reshape the Republican Party and beyond, these comedic powerhouses find themselves at a crossroads. Owned or affiliated with Paramount Global, they operate under a corporate umbrella that has increasingly grappled with the tensions between free expression, audience demands, and the volatile political climate. This dynamic has sparked debates about the limits of satire in an era where humor can incite backlash, lawsuits, and even threats to corporate bottom lines.

Stephen Colbert, the sharp-tongued host of *The Late Show with Stephen Colbert* on CBS (a Paramount network), has long been a thorn in Trump's side. From his early days parodying conservative pundits on *The Colbert Report* to his current late-night perch, Colbert has weaponized irony and exaggeration to dissect Trump's rhetoric, policies, and personal quirks. In recent episodes, Colbert has doubled down on Trump's post-election maneuvers, mocking everything from his ongoing legal battles to his flirtations with authoritarianism. One standout segment from early 2025 featured Colbert donning a comically oversized red tie, impersonating Trump as he "negotiated" with world leaders via fast-food orders. "Folks, if we're going to make America great again, we need more nuggets and fewer nukes," Colbert quipped, drawing roars from his live audience. Yet, this boldness hasn't come without pushback. Sources close to the production reveal that Paramount executives have occasionally urged caution, particularly after Trump's allies threatened boycotts against CBS advertisers. Despite this, Colbert remains unbowed, arguing in a recent interview that satire is "the immune system of democracy—it fights off the absurdities before they become normalized."

Meanwhile, *South Park*, the irreverent animated series created by Trey Parker and Matt Stone, has carved out its own niche in Trump-era commentary. Airing on Comedy Central (another Paramount property), the show has a storied history of lampooning politicians from all sides, often with equal-opportunity offense. Trump's presidency provided fertile ground: episodes like "Where My Country Gone?" from 2015 presciently tackled immigration fears, while later seasons portrayed Trump as "Mr. Garrison," a bombastic teacher-turned-president whose antics mirrored real-life headlines. In 2025, as Trump eyes a potential 2028 comeback, *South Park* has returned with episodes skewering his influence on culture wars, from book bans to social media rants. One recent plotline involved the town's kids staging a mock election where a Trump-like figure promises "infinite candy" but delivers chaos. Parker and Stone's approach is unapologetically crude, blending scatological humor with pointed social critique. "We don't pick sides; we pick on stupidity," Stone once said, a philosophy that has shielded the show from some partisan backlash but invited others. Paramount's oversight has been a mixed bag—while the company has defended *South Park*'s right to provoke, internal memos leaked in 2024 suggested hesitancy around episodes that could alienate conservative viewers, especially amid declining cable subscriptions.

Jon Stewart, the elder statesman of political comedy, bridges these worlds with his return to *The Daily Show* on Comedy Central. After stepping away in 2015, Stewart came back in 2024 for a limited run, focusing on election coverage that blended nostalgia with fresh outrage. His monologues have zeroed in on Trump's enduring grip on the GOP, dissecting how figures like J.D. Vance and Marjorie Taylor Greene perpetuate what Stewart calls "the MAGA fever dream." In a memorable April 2025 episode, Stewart dissected Trump's latest rally speech, using split-screen edits to highlight contradictions: "He says he's for the working man, but his policies are like a golden toilet flushing their dreams away." Stewart's style—earnest, exasperated, and evidence-based—contrasts with the absurdity of Colbert and *South Park*, yet it shares their Paramount ties. As a vocal critic of corporate media consolidation, Stewart has publicly chided Paramount for what he sees as timidity in the face of political pressure. During a 2025 podcast appearance, he lamented, "When billion-dollar companies own the satire, you have to wonder if the jokes are getting focus-grouped into oblivion." This tension came to a head last year when Paramount reportedly pulled a *Daily Show* segment on Trump's business dealings, citing legal concerns—a move Stewart later mocked on air, turning it into fodder for more comedy.

The interplay between these satirists and Paramount underscores broader challenges in the entertainment industry. Paramount Global, formed from the merger of Viacom and CBS, controls a vast empire that includes not just these shows but also streaming platforms like Paramount+. In the Trump era, the company has navigated a minefield: on one hand, satire drives viewership and cultural relevance; on the other, it risks alienating audiences and inviting regulatory scrutiny. Trump's administration famously targeted media outlets, and his post-presidency ventures, like Truth Social, have amplified calls for "accountability" in entertainment. Analysts point to instances where Paramount has leaned into self-censorship, such as delaying *South Park* episodes during the 2020 election cycle to avoid election interference claims. Yet, the company has also championed its comedic talent, with CEO Bob Bakish praising them as "vital voices in turbulent times" at a 2025 shareholders meeting.

This corporate-satirist dance raises questions about the future of political humor. Colbert, for instance, has evolved his show to include more guest experts, blending laughs with substantive analysis on issues like climate denial and voter suppression—tactics he attributes to Trump's "reality-distorting" influence. *South Park* continues its rapid-response model, often writing episodes days before air, allowing it to pivot to breaking news like Trump's latest court appearance or endorsement. Stewart, ever the activist, has used his platform to advocate for causes beyond comedy, such as veterans' rights, weaving in Trump critiques that highlight policy failures.

Critics argue that Paramount's involvement dilutes the edge of these shows. Media scholar Jane Rosen notes, "When satire is beholden to corporate interests, it risks becoming toothless. Colbert's barbs are sharp, but if Paramount pulls the plug on controversial bits, what's left?" Supporters counter that the backing provides a megaphone: without Paramount's reach, these voices might fade into niche podcasts or YouTube channels.

Audience reception has been telling. Ratings for *The Late Show* spiked during Trump's 2024 campaign, with viral clips amassing millions of views online. *South Park* maintains a loyal fanbase, its episodes sparking memes and debates across social media. Stewart's return boosted *The Daily Show*'s demographics, attracting younger viewers disillusioned with traditional news.

As Trump looms large in American discourse, these satirists persist in holding a mirror to power. Colbert's wit, *South Park*'s anarchy, and Stewart's indignation form a comedic trifecta under Paramount's watchful eye. Whether this alliance strengthens or stifles satire remains an open question, but one thing is clear: in a polarized nation, laughter might be the best—and sometimes only—defense against the absurd.

The enduring appeal of these shows lies in their ability to evolve. Take Colbert's character work: his Trump impressions have grown more nuanced, incorporating elements from Trump's speeches, like repetitive phrasing and grandiose claims. In one 2025 bit, he "interviewed" a puppet version of Trump, grilling it on everything from tariffs to TikTok bans, eliciting groans and guffaws. This mirrors *South Park*'s meta-humor, where characters often break the fourth wall to comment on the show's own controversies, such as past Trump parodies that drew FCC complaints.

Stewart, drawing from his *Daily Show* heyday, emphasizes fact-checking amid misinformation. His segments on Trump's election denialism include timelines and expert breakdowns, turning comedy into a civics lesson. This approach has inspired spin-offs, like Comedy Central's digital shorts that extend the satire online.

Paramount's role extends to global distribution. Through Paramount+, these shows reach international audiences, where Trump is viewed through varied lenses—from fascination in Europe to cautionary tales in Asia. This global stage amplifies their impact but also invites scrutiny from foreign regulators wary of American political exports.

Challenges abound. Legal threats from Trump's camp have materialized, with lawsuits alleging defamation in satirical contexts. Paramount's legal teams have defended vigorously, citing First Amendment protections, but the costs mount. Internally, diversity in writers' rooms has influenced content: more voices from marginalized communities shape how Trump-era issues like immigration and racial justice are satirized, adding depth to the humor.

Looking ahead, as the 2026 midterms approach, expect more pointed commentary. Colbert hints at specials focusing on Trump's legacy, while *South Park* teases seasons exploring AI-generated deepfakes of politicians. Stewart, ever restless, may expand his role, perhaps launching a new project under Paramount's banner.

In essence, these satirists embody resilience. Amid corporate constraints and political tempests, they remind us that humor can puncture pomposity, foster dialogue, and perhaps even sway hearts. As Trump-era absurdities persist, Colbert, *South Park*, and Stewart stand as beacons—or jesters—in the ongoing American experiment. (Word count: 1,248)

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[ https://www.npr.org/2025/07/27/nx-s1-5480172/colbert-south-park-jon-stewart-paramount-trump ]