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StoryCorps'' David Isay reacts to the Senate''s vote to cut funding for public media


🞛 This publication is a summary or evaluation of another publication 🞛 This publication contains editorial commentary or bias from the source
NPR''s Steve Inskeep and Michel Martin speak with David Isay, founder and president of StoryCorps, about the Senate vote to cut funding for public broadcasting.
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Isay begins by expressing his profound disappointment and concern over the Senate's decision to slash funding for public media, which includes support for organizations like NPR and the Corporation for Public Broadcasting (CPB). He views this move as not merely a budgetary cut but as an attack on the very idea of a shared national narrative. Public media, in Isay's estimation, is one of the last bastions of non-commercial, community-driven content in an era dominated by profit-driven media conglomerates and divisive rhetoric. For over two decades, StoryCorps has relied on the infrastructure and ethos of public media to carry out its mission of recording conversations between loved ones, friends, and strangers—conversations that often reveal the common humanity that binds people together despite their differences. The potential loss of funding threatens to undermine this mission at a time when the nation arguably needs it most.
Central to Isay's argument is the unique role that StoryCorps plays in American life. Since its founding in 2003, the organization has collected tens of thousands of stories from people across the country, archiving them at the Library of Congress for future generations. These stories are not the polished narratives of celebrities or politicians but the raw, unfiltered experiences of ordinary individuals—grandparents recounting their childhoods, veterans sharing their struggles, immigrants describing their journeys, and parents speaking to their children about love and loss. Isay emphasizes that these recordings are more than just audio files; they are a living history, a testament to the diversity and resilience of the American people. Public media funding has been instrumental in making this work possible, providing the resources and platforms necessary to reach wide audiences and ensure that these stories are not only told but also heard.
Isay also highlights the personal impact of StoryCorps on both participants and listeners. He recounts how the act of sitting down with a loved one to record a conversation often becomes a transformative experience, allowing people to express things they might never have said otherwise. These moments of vulnerability and connection, he argues, are a powerful antidote to the alienation and division that characterize much of modern life. Public media, through outlets like NPR, amplifies these stories, broadcasting them to millions and reminding listeners of the shared struggles and joys that transcend political, cultural, and economic divides. To cut funding for such initiatives, Isay warns, is to risk losing a vital tool for building empathy and understanding at a time when the nation is grappling with deep social and political fractures.
Beyond the immediate impact on StoryCorps, Isay is concerned about the broader implications of defunding public media. He sees it as part of a larger trend of devaluing institutions that prioritize the public good over commercial interests. Public media, he notes, is one of the few spaces where content is not dictated by advertising dollars or corporate agendas. It provides programming that educates, informs, and challenges viewers and listeners, often focusing on underserved communities and issues that mainstream media might overlook. For rural Americans, in particular, public radio and television are often lifelines, offering access to news, culture, and educational resources that might otherwise be out of reach. Isay fears that without adequate funding, these services could be scaled back or eliminated, leaving entire swaths of the population without access to reliable information and cultural enrichment.
Isay also draws attention to the timing of the Senate's decision, which comes amidst heightened political polarization and attacks on media credibility. He suggests that public media has become a convenient target for those who seek to undermine trust in independent journalism and storytelling. By framing public media as a partisan entity or a wasteful expenditure, critics obscure its true purpose: to serve as a neutral ground where diverse voices can be heard and complex issues can be explored without the pressure of sensationalism or profit motives. Isay passionately argues that this mission is more important than ever in an era of misinformation and echo chambers, where people are increasingly isolated in their own ideological bubbles. Public media, including projects like StoryCorps, offers a counterbalance—a space where individuals can encounter perspectives different from their own and find common ground through shared human experiences.
In reflecting on the future, Isay remains cautiously hopeful but resolute in his determination to fight for public media. He acknowledges that the road ahead will be challenging, especially if funding cuts are implemented and organizations like StoryCorps are forced to scale back their operations. However, he also sees this moment as an opportunity for the public to rally around the values that public media represents. He calls on listeners, storytellers, and advocates to make their voices heard, whether by contacting their representatives, sharing their own stories, or supporting public media through donations and engagement. Isay believes that the power of storytelling is ultimately unstoppable, rooted as it is in the fundamental human need to connect and be understood. Even in the face of financial uncertainty, he is committed to finding ways to continue StoryCorps’ work, ensuring that the stories of everyday Americans are preserved and celebrated.
Isay’s response to the Senate’s vote is ultimately a meditation on the importance of memory, community, and dialogue in a democratic society. He views public media not as a luxury but as a necessity—a means of documenting who we are as a people and fostering the empathy needed to navigate an increasingly complex world. The potential loss of funding, in his eyes, is not just a blow to organizations like StoryCorps but a threat to the very idea of a collective American story. As he urges the public to stand up for public media, Isay reminds us that the stories we tell and the voices we amplify shape the kind of society we build. In a time of division and uncertainty, his message is clear: the act of listening to one another, of bearing witness to each other’s lives, is an act of resistance and hope, one that must be protected at all costs.
In conclusion, David Isay’s reaction to the Senate’s decision to cut funding for public media is a powerful defense of the role that storytelling and independent journalism play in uniting and uplifting communities. Through StoryCorps, he has witnessed firsthand the transformative power of personal narratives and the importance of platforms like NPR in bringing those narratives to a wider audience. His commentary serves as both a warning about the consequences of losing public media and a rallying cry for its preservation. As the debate over funding continues, Isay’s words stand as a reminder of what is at stake: not just budgets or programs, but the very soul of a nation that finds strength in its shared stories. His hope is that Americans will recognize the irreplaceable value of public media and fight to ensure that it remains a vibrant, accessible resource for generations to come.
Read the Full NPR Article at:
[ https://www.npr.org/2025/07/17/nx-s1-5471171/storycorps-david-isay-reacts-to-the-senates-vote-to-cut-funding-for-public-media ]